Assignment 4 for CLS325 Coursework Example | Topics and Well Written Essays - 2000 words

Assignment 4 for CLS325 - Coursework Example The most common impression about independent films though is that such projects are not usually funded by the major motion picture producers. Because of this there have concepts that â€Å"films made by smaller studios or give a guarantee of distribution by one of the majors before production are classified as ‘semi-indie’.† (King 9) Limiting the definition of independence in film-making to questions of financing may result to inaccurate conclusions about indie movies though. What makes a film truly independent basically depends on the freedom of the film-makers themselves in expressing their ideas through their craft. With this concept, it is only clear that a major studio may create an independent arm which could produce films which contents and artistic directions are to be freed from intervention. However, it is true that that indie films produced by subsidiaries of major studios may not be as free as those that are made by non-corporate and non-business entit ies. Although these may have serious disadvantages in terms of budget, the producers, directors, writers, and all other artists involved relatively enjoy greater freedoms in expressing or in putting their creativity in film. With the shoestring budget though, independent film-makers certainly have problems in distribution. They may be able to innovate or to adapt their techniques to whatever logistical and equipment inadequacies that they experience but they may not be able to market the film as much as they would want to. This is the reason why most indie films are addressed only to a niche market. Only audiences to whom the subject of the film is relevant are able to see and understand the messages relayed by the film-makers and the artists. Conscious that their products are not meant to be enjoyed by a wider audience, after all, many indie film-makers also do not attempt to apply forms that are supposed to entice more people to watch. Indie films are considered as the alternative to the commercial fares often produced by Hollywood’s major studios. For both film critics and the audiences, this is cinema that provides more focus on the story and artistic expression rather than commercial success. Therefore, this may fall under the category of popular culture, one that may not be as attractive to the masses as Hollywood films are nevertheless interesting because these depict situations that may be reflective of the audiences’ real-life situations and because these are aesthetically delightful. However, it must be pointed out also that such productions, because of budgetary constraints, may not be packaged well when it comes to advertising. Hence, their advantages over Hollywood fares may not get full potential because of inadequate promotions. Hollywood film-making is obviously controlled by media and film-making moguls, people who have made and are still making huge fortunes out of producing films for commercial purposes. Since these are big ent ertainment business is essentially at the core of every film produced in Hollywood, it is only expected that profits are the objectives. Every movie produced could cost millions of dollars. However, the producers do not hesitate spending for these because they knew that with a star-studded cast, amazing visual effects, effective promotion, and widespread distribution, millions more could be earned from the box office. With profits as the objective, the importance of story and

Defining Hot Spots As a Crime Analyst Coursework

Defining Hot Spots As a Crime Analyst - Coursework Example Chainey and Ratcliffe (2006, p. 10) explains that are identified areas on a map that are characterized by a high intensity of crime. These areas are developed so that analysts and researchers can examine the identified geographic areas, in relation to crime. The crime hotspot is a geographical analysis. It is developed basing on the crime pin maps of a reported criminal events, over a given period of time. Chainey and Ratcliffe (2006, p. 13) maintains that crime hotspots can vary. It can either be a small building, within a certain location, or even a certain locality within a community. However, the occurrence of crime must be persistent, for at least one year. Theorists and researchers normally examine the development of crime hotspots, and the reasons as to why crime is prevalent in these hotspots. Chainey and Ratcliffe (2006, p. 9) explains that coming up with a map that identifies certain hotspot is an influential and critical tool of policing. This is because they provide an understanding and knowledge of different areas within a town, and on how best to secure these areas. Chainey and Ratcliffe (2006, p. 22) believes that by identifying small areas where crime is prone, their would be a reduction of crime rates within the country. This is because the police would concentrate in these tiny areas leading to a reduction in the overall rates of crime. There exist three major types of crime hot spots, namely, crime generators, crime attractors, and crime enablers. Crime generators are physical places whereby large numbers of people gather for purposes that are not related to crime (Chainey and Ratcliffe, 2006, p.10). These areas provide an opportunity for criminals and offenders to engage in a crime or a disorder. Examples of crime generators include transportation hubs, shopping malls, sporting events, and festivals. Examples of criminal activities that these places are